by Beth Lewis (2021)
This is a fascinating take on the “what if” concept.
Iris has run away to the forest to escape her abusive wife, and there she meets an alternate version of herself who made different choices – an Iris who married someone different, and now carries an unwanted pregnancy. They both have regrets about how their life turned out, and envy some aspects of the other’s life – but they also learn that the grass isn’t always greener.
The book switches back and forth between “Before” (the events leading up to her running away) and “After” (what she does in the woods). You know that something bad has happened to Iris, but you only find out the details slowly. I enjoy this sort of non-linear story.
It gave me a lot of thoughts and feelings, and I felt sympathy for Iris. Both Irises have flawed and imperfect lives, and there’s no implication that one is obviously better or more correct. I haven’t read it again, but I want to, because I suspect there’s a lot I’d pick up on a second time round.
Content warnings for abuse, sexual assault, rape, and suicide.
(Yes, I technically read this in 2022, but it missed the cutoff for last year’s post.)
by Tanya Talaga (2017)
This is an account of abuse, neglect, and deaths of Indigenous students in Canada’s school system. It’s not an easy book to read, but it’s well-written and worth the time.
It focuses on seven deaths in Thunder Bay, and includes the history of the residential schools which form the backdrop for those events. As I don’t know much about Canadian history or education, I found the context useful.
The titular “Seven Fallen Feathers” are seven children who died in unexplained circumstances. The book devotes a chapter to each of them, describing their history, the days leading up to their death, and the hole it left in the lives of their friends and family. It’s difficult to read but important, and the author has obviously done a lot of research and interviews.
There are certain themes that keep coming up – racism towards Indigenous people, disinterest from the Thunder Bay police, the effect of moving kids to big cities – but the author is subtle about them. She doesn’t need to tell you what patterns you should be looking for, because it’s so obvious from the stories. It’s the embodiment of “show, don’t tell”.
Content warnings for death, suicide, racism and colonialism.
by Darcie Little Badger (2020)
A fun story in an America where fantasy and magic are real and commonplace, including vampires, ghosts, and evil scarecrows.
Elatsoe (“Ellie”) is a member of the Lipan Apache Tribe, and women in her family have the ability to speak to ghosts – usually animal ghosts, because human ghosts are more violent and angry. She’s investigating the death of her cousin Trevor, which she believes to be a murder.
The plot is a little slow, but the worldbuilding is gorgeous – it feels rich and real, without being heavy-handed. We get little glimpses of the magic, but it’s never treated as spectacular or obsessed over. I didn’t need to have every detail to enjoy it. I’d happily read more stories in this setting, but it also works nicely as a standalone.
This was Darcie Little Badger’s debut novel, and I read her second novel, A Snake Falls to Earth, in August. It was another good fantasy, and I’ll definitely be reading more of her work in future.
by Laura Imai Messina (2020)
This is a gorgeous story about grief and heartbreak, and two people learning to find love again after great tragedy.
The phone box itself is mundane, with no special magic or power. When I first saw the title, I wondered if this was a fantasy or sci-fi book – I was getting TARDIS vibes – but it’s not, and that’s a good thing. It’s just an ordinary phone box in a garden in Bell Gardia, a few hours from Tokyo.
People go to the phone box to have conversations with their loved ones – often they’re talking to people who have died, but not always. Some talk to estranged family, others talk to friends who are alive but mentally incapacitated or traumatised. These conversations are largely private, and we don’t get to hear many of them.
Instead, the book focuses on a handful of characters – Sui, Takeshi, and Hana – and how they interact with the phone box, and its other visitors. They’ve all suffered losses, and their visits to the phone box are what help them to start reconnecting with people.
It reminded me a lot of Toshikazu Kawaguchi’s books, which I adore – grief and sadness but with an ultimately positive message.
by Fern Brady (2023)
This is a great memoir about autism and sexuality.
I first saw Fern Brady when she appeared on Taskmaster, where she quickly became one of my favourite contestants. I loved how unapologetic she was about being herself, and how much fun she seemed to be having. When I learnt she was writing a memoir, I knew I had to read it.
It’s the story of her growing up, being autistic, and the ways her behaviours have affected her life. There’s also a lot of discussion of how being a woman meant her autism was overlooked or ignored for a long time. It felt genuine and raw, and it wasn’t unrealistically hopeful or optimistic – it was a statement about what being an autistic woman is like.
I definitely saw parallels with my own life, and it’s given me plenty to think about.
I was engrossed and read it in a single day; I was enjoying it so much I actually missed my train stop on the way home.
by Jihyun Park and Seh-Lynn Chai (2022)
This is a gripping and horrifying story of growing up in North Korea, then escaping as an adult.
North Korea is a country I was only vaguely aware of, and most of my knowledge comes from pop culture stereotypes, so I learnt a lot from this book. It’s primarily a story about Jihyun’s experience rather than North Korean politics, but even so it covers a lot of Korean history that was new to me.
It starts when Jihyun was a child, in the early 1970s, and North Korea was less uncomfortable, if not exactly prosperous. She grows up to be a school teacher as the economy declines, and then escapes through China when things get much worse – saving herself, but leaving her entire family behind. One of the most moving chapters is a farewell letter to her father.
The writing is clear and simple, with plenty of small details and individual stories. As with Seven Fallen Feathers, this is a good example of “show, don’t tell”.